RepresentAsian: The Changing Face of New York Theater

The Asian American Performers Action Coalition (AAPAC) released preliminary findings today on the representation of minority actors on New York City’s most prominent stages during the last five years. The full report, which will be released on Monday February 13th in conjunction with an industry roundtable, tallies the ethnic make-up of casts from all shows which opened on Broadway during this period and productions from sixteen of the largest not-for-profit theatres in New York City: The Atlantic Theatre Company, Classic Stage Company, Lincoln Center Theatre, Manhattan Theatre Club, MCC, The New Group, New York Theatre Workshop, Playwrights Horizons, Primary Stages, Public Theatre, Roundabout Theatre Company, Second Stage, Signature Theatre, Theatre for a New Audience, Vineyard Theatre and The York Theatre Company. It is the first report on minority casting in New York theatre ever to be released publicly.

Asian American performers do not seem to be a part of the trend towards more inclusive casting. Asian American performers saw their numbers drop, from 3 percent of all roles five years ago to 1 percent in the 08/09 and 09/10 seasons with a slight up tick to 2 percent this past year. While they were as likely as their Latino colleagues to be non-traditionally cast five and four years ago, in the past three years numbers of non-traditionally cast roles increased for Latinos while they decreased for Asians.

• Asian Americans comprise 12.9 percent of New York City and is the city’s fastest growing major minority group, yet Asian American actors accounted for only 1.6 percent of all available roles in new productions on Broadway, 3.2 percent of roles at non-profit companies and 2.3 percent of roles when looking at the industry as a whole.
• There were only 18 Principal Broadway contracts for Asian American actors in the last five years.
• Asian American performers are the least likely among the major minority groups to play roles that are not defined by their race.

In response to these findings, AAPAC will hold an industry roundtable with prominent producers, artistic directors, directors, playwrights, agents and casting directors to have a dialogue on access and representation of minority actors on NYC stages and how best to overcome obstacles to more inclusive casting. It will be co-presented with Fordham University and will be moderated by Tony Award-winning playwright David Henry Hwang (Chinglish, M. Butterfly).

To RSVP, send an email to aapacrsvp@gmail.com Seating is limited.

Where: The Pope Auditorium at Fordham University
60th St and Columbus Avenue just inside main entrance
New York, NY, United States

Date: Feb 13 2012 to Feb 13 2012

Time: 7:00 pm

Admittance: Open

Website: http://www.facebook.com/pages/Aapac-Asian-American-Performers-Action-Committee/2...



Comments:
Marisa Sung
34942 points

I can't wait to go to The Pope Auditorium at Fordham University (60th St and Columbus Avenue) tonight at 7:00 pm! See you all there! A rare treat.

To RSVP, send an email to aapacrsvp@gmail.com Seating is limited.

Public Theatre and Roundabout Theatre Company are my absolute faves but as you know, they are all excellent! Joe Papp gave his life to the Public Theatre. I saw some of the best Shakespeare performed by the Public Theatre!

Marisa Sung
34942 points

Public Theatre and Roundabout Theatre Company are my absolute faves but as you know, they are all excellent! Joe Papp gave his life to the Public Theatre.

I can't wait to go to The Pope Auditorium at Fordham University (60th St and Columbus Avenue) on Feb 13 2012 at 7:00 pm! See you all there! Break a leg!

David Henry Hwang's M. Butterfly presented by L.A. Theatre Works

Andrew Long and Randy Reyes in M.BUTTERFLY at the Guthrie

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